4th April 2023: Scott Kinsey sets out on European tour later this month celebrating his album ‘We Speak Luniwaz’

Scott Kinsey begins his European tour in April with an incredible band – featuring saxophonist Patrick Bartley, Hadrien Feraud (electric bass) and Gergo Borlai (drums). This tour celebrates the music of Joe Zawinul and Kinsey’s killer tribute album, We Speak Luniwaz.

Tour dates and ticket links:

ABOUT THE ALBUM
“Scott Kinsey’s realization of these Weather Report tunes manages to not only pay tribute to the works of Zawinul and Shorter but also to mine the music for discoverable gold. His band plays the daylights out of these tunes. This album deserves your attention.”
— Peter Erskine

Widely known as one of the most skilled keyboard players of his generation, Scott Kinsey is also one of the foremost interpreters of Joe Zawinul’s rich musical legacy. As musical director of the Zawinul Legacy Band, Kinsey has delivered electrifying performances in celebration of Zawinul’s groundbreaking work with Weather Report and the Zawinul Syndicate.

On We Speak Luniwaz, his Whirlwind Recordings debut, Kinsey brings his expertise to bear on re-imaginings of seven scintillating Zawinul compositions, plus one by Wayne Shorter and two originals. Joined by electric bass phenom Hadrien Feraud, saxophone/flute master Katisse Buckingham and Hungarian drummer Gergo Borlai, this accomplished crew generates sparkling energy and percolating grooves on entrancing Zawinul fare like “The Harvest” (‘Dialects’, 1986), “Victims of the Groove” (‘Lost Tribes’, 1992), “Black Market” (‘Black Market’, 1976), “Fast City” (‘Night Passage’, 1980), “Between the Thighs” (‘Tale Spinnin’’, 1975) and “Where the Moon Goes” (‘Procession’, 1983). For the funky “Cucumber Slumber,” (‘Mysterious Traveler’, 1974), Kinsey showcases Buckingham’s skills as rapper with a testimony to Joe in a segment titled “World Citizen.”

“Zawinul’s music has been near and dear to me ever since the moment I first heard it,” Kinsey wrote in the liner notes. “My objective was to try to do justice to this material, more than anything as a little thank-you note to someone who certainly changed my life,” added Kinsey. “And someone who gave us all so much through his uncompromising and impossibly high musical standards. What Joe did was create his own personal language that was always in the moment and totally fresh! So with time, I also learned to speak Luniwaz, perhaps using my own personal dialect… I’m pretty sure he would have loved this record.”