New Focus (L)
Profile
Scottish pianist/composer Euan Stevenson and saxophonist/composer Konrad
Wiszniewski continue their musical collaboration New Focus with a
second album New Focus On Song for Whirlwind Recordings. After the
critical success of their first release (New Focus) which featured a unique blend of
classical, jazz and Scottish Folk that was shortlisted for the 2012
Scottish Album of the Year Award, the pair have established themselves
as leading lights on the burgeoning creative music scene in Scotland.
Much of the acclaim received to date for New Focus has centred on the
pair’s ability to write beautiful, haunting melodies where every piece
in the sequel balances emotional power with exquisite craftsmanship.
Stevenson provides the majority of the compositions and orchestrations
and largely employs the subtle palette of the first album (jazz quartet,
string quartet and harp), further enriching these textures with the
addition of woodwind. Wiszniewski solos on both tenor and soprano
saxophones throughout, while on ensemble passages he and his wife Nicola
Wiszniewska a provide orchestral colour on clarinet and flute
respectively with Alina Bzhezhinska once more featured on concert harp.
The resulting chamber music is rich and varied. Both composers pay
tribute to their young daughters with heartfelt musical letters
dedicated to each; but sensitivity and sweetness is balanced with hard
edged improvising on the fast swinging ‘Corea Change’ and the angular
and spiky ‘Fourths Ostinato’, whilst the folky ‘Green Park’ and
‘Sophia’s Song’ (with Wiszniewski on Celtic whistle) leave the listener
in no doubt as to the composers’ heritage. That being said, the Gallic
influence of Debussy, Satie and Ravel is never far away – tracks like
‘Ascension’ and ‘Braeside’ are a unique blend of French impressionism
and jazz, a testament to Stevenson’s versatility as a composer/performer
who is able to move seamlessly between idioms. This holistic approach
is moreover exemplified in the two short improvised solo piano vignettes
which appear as sparkling contrasts to the full ensemble dynamic.
New Focus appears on
Whirlwind Recordings